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Dean Dmt Design Humbucker Pickups Review - butlerfasr Dean DMT-design humbucker pickups and the guitar's string-through-the-body design produce outstanding sustain. The dual volume, single tone, and 3-way switch is the control configuration that Dave prefers. Great deals on Dean Guitar Pickups. It's a great time to upgrade your home music studio gear with the largest selection at eBay.com. Fast & Free shipping on many items! Make Offer - Dean DimeTime Humbucker Pickup Black/Cream DPU DD BC F NEW NOS. Dean Flying V VX Humbucker Pickup Set Tested Working Sound Great!!
A time capsule is defined as a historic treasure trove of goods or information to help historians. From the mid-70s to the mid-80s, many Dean guitars were associated with a certain pickup. Bittorrent download for mac. If you've been around these parts for any reasonable amount of time, you know that I do talk about how things change over time.
As with many things in the guitar gear realm, a lot of players have an obsession with one the 70s version of the earliest high output aftermarket pickup. Wouldn't you know that the current ones just are not quite the same. So what does Dean do? They have an archive containing some of their guitars from that era. And they also have their own department that makes their DMT pickups. So they make the Time Capsule!
Maybe you're thinking, 'Why didn't they call it the Super Dean?' See what I did there? LOL!
This is where it gets tricky for some people. The Time Capsule looks like a normal humbucker. Filister screws and regular slugs. Not head head screws. Nickel silver baseplate. Not brass. This sort of thing can really blow the top off of some guitar players. Who knew people hear with their eyes? HaHa! Something else we talk about around these parts has to do with how there's more than one way to skin a cat.
How does it sound?
The Time Capsule is a solid distortion-class humbucker. What I'm digging about the Time Capsule is that it's more melodious and less harsh than some of the contemporaries out there. I'm thinking that this is also what has some people hunting down those ones from the 70s. Thanks to Dean, you don't have to go to those lengths.
This bad boy is loaded in a double-hum super-strat with a Dean DMT Nostalgia model in the neck. The Time Capsule is available with 4-con lead wire, so I have it to switch between series/split/parallel.
One of the first things I'm hearing is that the Time Capsule has loads of authority while maintaining control in the bottom end. The lows are harmonically rich and beefy, but not at all boomy or loose. Riffs come to life with a satisfying roar in the mids. The high end is what is a make-or-break for some people in this type of pickup. Yet the Time Capsule handily walks the line between precision and being in your face when navigating the upper frets.
Clean amp tones tend to reveal a lot about a hard-hitting pickup. The Time Capsule has a musical character that works much better than you'd expect. You might find yourself giving a tweak to the volume pot, but you'll have a much broader range of options.
Vmware fusion 8 key for mac. Here's a video of Dean's Pat Baker using the Time Capsule humbucker:
Wanna see some specs?
Series – 15.132 K
Inductance – 5.58 H
Split N – 7.589 K
Split S – 7.574 K
Parallel – 3.787 K
Magnet – Ceramic
The Time Capsule comes in black, white, black/cream zebra, black/white zebra, standard spaced and trem spaced. If you're looking for one of the most classic overwound rock bridge lead tones from the mid-to-late 70s, Dean's Time Capsule needs to be on your radar.
For reference, this Dean DMT Time Capsule pickup evaluation was conducted with a Fractal Axe-Fx II XL+ featuring Celestion Impluse Responses and Fractal MFC-101 MIDI Foot Controller. Real cabs used were Marshall 1960B cabs loaded with Celestion G12-65s, Vintage 30s and G12M Greenbacks.
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Dean GuitarsWebsite | Facebook | Twitter | YouTube | Instagram
Michael Amott knows a thing or two about tone. Whether it's vintage death metal with Carcass, hard rock with Spiritual Beggars or his main job in Arch Enemy, Amott has the ears, hands and sense of sonic taste to craft the perfect sound for whatever musical situation he finds himself in. After flings with guitars like the Ibanez RG550 and his former ESP signature model the Ninja, Amott is now a Dean endorser, with his own line of signature guitars. And central to the tone of this imposing axe is the DMT Tyrant, Amott's signature humbucker from Dean's pickup division, Dean Magnetic Technologies. Amott was kind enough to arrange for a Tyrant humbucker to be sent out for review after I interviewed him recently.
On first glance the Tyrant looks a lot like a Seymour Duncan Invader due to those large nickel hex pole pieces. It doesn't spec out the same though: the Invader draws its power from three ceramic magnets, overwound coils and twelve black oxide cap screws and it has a DC resistance of 16.8, while the Tyrant uses an Alnico V magnet and has a DC resistance of 16.2K. The Tyrant is also different to the Seymour Duncan JB, the humbucker used in his old ESP signature, which has a DC resistance of 16.8K, although the JB also uses an Alnico V magnet. But there's a lot more that goes into a pickup's sound than just magnet type and DC resistance.
I installed the Tyrant into my 1987 Ibanez RG550 for testing. Amott describes the Tyrant's tone as being similar to his previous pickup but with higher output and a scoop in the mids. That's certainly a good starting point to describe the sound, but it has enough personality to stand on its own two lugs (gettit?) too. The Tyrant seems to be two different pickups in one: a high-gain one and a more traditionally-voiced one. Crank it up via a heavily saturated metal rhythm tone and it has enough of an upper midrange push to force itself to be heard above the fuzz of distortion, and a tight enough low end to not smear all your ‘chugga chugga' low-string riffs. The midrange dip doesn't remove too much thickness from the body of the note, instead subtly thinning it out, giving the impression of a little ‘air' around the notes. There are some rather blazing harmonic overtones jumping out when you kick into lead mode too, and it tracks very well for fast playing.
Use more of a traditional metal amp setting and the Tyrant seems like a different pickup entirely. The natural compression it exhibits in high-gain mode is lifted and it instead becomes quite a dynamic pickup. The mids seem more apparent and the highs seem a little drier – and this is all with all other amp settings unchanged aside from the gain on my Marshall DSL50. It's here that you really begin to hear how the Tyrant fits in with the Spiritual Beggars side of Amott's musical personality. It's kind of like a modern take on the classic NWOBHM-style rhythm tone.
The clean sounds are good too but you probably won't use them too much if you're interested in a pickup that looks as mean as this! With this much output it's hard to get a completely clean sound out of the Tyrant unless you do some serious amp tweaking. But there's a lot to like if you're into slightly grittier, grainier clean tone, or if you use an ultra-clean solid state amp like the Roland JC120 which would really keep the Tyrant on a leash.
Gibson Humbucker Pickups Comparison
A time capsule is defined as a historic treasure trove of goods or information to help historians. From the mid-70s to the mid-80s, many Dean guitars were associated with a certain pickup. Bittorrent download for mac. If you've been around these parts for any reasonable amount of time, you know that I do talk about how things change over time.
As with many things in the guitar gear realm, a lot of players have an obsession with one the 70s version of the earliest high output aftermarket pickup. Wouldn't you know that the current ones just are not quite the same. So what does Dean do? They have an archive containing some of their guitars from that era. And they also have their own department that makes their DMT pickups. So they make the Time Capsule!
Maybe you're thinking, 'Why didn't they call it the Super Dean?' See what I did there? LOL!
This is where it gets tricky for some people. The Time Capsule looks like a normal humbucker. Filister screws and regular slugs. Not head head screws. Nickel silver baseplate. Not brass. This sort of thing can really blow the top off of some guitar players. Who knew people hear with their eyes? HaHa! Something else we talk about around these parts has to do with how there's more than one way to skin a cat.
How does it sound?
The Time Capsule is a solid distortion-class humbucker. What I'm digging about the Time Capsule is that it's more melodious and less harsh than some of the contemporaries out there. I'm thinking that this is also what has some people hunting down those ones from the 70s. Thanks to Dean, you don't have to go to those lengths.
This bad boy is loaded in a double-hum super-strat with a Dean DMT Nostalgia model in the neck. The Time Capsule is available with 4-con lead wire, so I have it to switch between series/split/parallel.
One of the first things I'm hearing is that the Time Capsule has loads of authority while maintaining control in the bottom end. The lows are harmonically rich and beefy, but not at all boomy or loose. Riffs come to life with a satisfying roar in the mids. The high end is what is a make-or-break for some people in this type of pickup. Yet the Time Capsule handily walks the line between precision and being in your face when navigating the upper frets.
Clean amp tones tend to reveal a lot about a hard-hitting pickup. The Time Capsule has a musical character that works much better than you'd expect. You might find yourself giving a tweak to the volume pot, but you'll have a much broader range of options.
Vmware fusion 8 key for mac. Here's a video of Dean's Pat Baker using the Time Capsule humbucker:
Wanna see some specs?
Series – 15.132 K
Inductance – 5.58 H
Split N – 7.589 K
Split S – 7.574 K
Parallel – 3.787 K
Magnet – Ceramic
The Time Capsule comes in black, white, black/cream zebra, black/white zebra, standard spaced and trem spaced. If you're looking for one of the most classic overwound rock bridge lead tones from the mid-to-late 70s, Dean's Time Capsule needs to be on your radar.
For reference, this Dean DMT Time Capsule pickup evaluation was conducted with a Fractal Axe-Fx II XL+ featuring Celestion Impluse Responses and Fractal MFC-101 MIDI Foot Controller. Real cabs used were Marshall 1960B cabs loaded with Celestion G12-65s, Vintage 30s and G12M Greenbacks.
Humbucker Pickups Amazon
Dean GuitarsWebsite | Facebook | Twitter | YouTube | Instagram
Michael Amott knows a thing or two about tone. Whether it's vintage death metal with Carcass, hard rock with Spiritual Beggars or his main job in Arch Enemy, Amott has the ears, hands and sense of sonic taste to craft the perfect sound for whatever musical situation he finds himself in. After flings with guitars like the Ibanez RG550 and his former ESP signature model the Ninja, Amott is now a Dean endorser, with his own line of signature guitars. And central to the tone of this imposing axe is the DMT Tyrant, Amott's signature humbucker from Dean's pickup division, Dean Magnetic Technologies. Amott was kind enough to arrange for a Tyrant humbucker to be sent out for review after I interviewed him recently.
On first glance the Tyrant looks a lot like a Seymour Duncan Invader due to those large nickel hex pole pieces. It doesn't spec out the same though: the Invader draws its power from three ceramic magnets, overwound coils and twelve black oxide cap screws and it has a DC resistance of 16.8, while the Tyrant uses an Alnico V magnet and has a DC resistance of 16.2K. The Tyrant is also different to the Seymour Duncan JB, the humbucker used in his old ESP signature, which has a DC resistance of 16.8K, although the JB also uses an Alnico V magnet. But there's a lot more that goes into a pickup's sound than just magnet type and DC resistance.
I installed the Tyrant into my 1987 Ibanez RG550 for testing. Amott describes the Tyrant's tone as being similar to his previous pickup but with higher output and a scoop in the mids. That's certainly a good starting point to describe the sound, but it has enough personality to stand on its own two lugs (gettit?) too. The Tyrant seems to be two different pickups in one: a high-gain one and a more traditionally-voiced one. Crank it up via a heavily saturated metal rhythm tone and it has enough of an upper midrange push to force itself to be heard above the fuzz of distortion, and a tight enough low end to not smear all your ‘chugga chugga' low-string riffs. The midrange dip doesn't remove too much thickness from the body of the note, instead subtly thinning it out, giving the impression of a little ‘air' around the notes. There are some rather blazing harmonic overtones jumping out when you kick into lead mode too, and it tracks very well for fast playing.
Use more of a traditional metal amp setting and the Tyrant seems like a different pickup entirely. The natural compression it exhibits in high-gain mode is lifted and it instead becomes quite a dynamic pickup. The mids seem more apparent and the highs seem a little drier – and this is all with all other amp settings unchanged aside from the gain on my Marshall DSL50. It's here that you really begin to hear how the Tyrant fits in with the Spiritual Beggars side of Amott's musical personality. It's kind of like a modern take on the classic NWOBHM-style rhythm tone.
The clean sounds are good too but you probably won't use them too much if you're interested in a pickup that looks as mean as this! With this much output it's hard to get a completely clean sound out of the Tyrant unless you do some serious amp tweaking. But there's a lot to like if you're into slightly grittier, grainier clean tone, or if you use an ultra-clean solid state amp like the Roland JC120 which would really keep the Tyrant on a leash.
Gibson Humbucker Pickups Comparison
Humbucker Pickup Sets
'It works very nicely for me,' Amott said of the DMT Tyrant. 'It's what's on the last couple of Arch Enemy albums. That's what you hear on Khaos Legions: that guitar, that pickup, everything, which is very cool. I'm very happy that I can use my signature equipment in the studio! [Laughs] It's good stuff. When you're in the studio, usually the engineer will tell you, 'I know you want to use this guitar, but let's try another one. Okay, I like this one a lot more, play this,' and you end up playing a guitar that you don't really like playing that much but that sounds better. And that didn't happen this time around so I'm very, very pleased with that. No problem taking pictures and video in the studio! [Laughs] I can actually represent Dean guitars, so that's nice. And I can really fly on that guitar. It's the guitar that I'm most comfortable playing, so it's just nice that I can play that on the album.'
The Tyrant isn't just a JB in different clothing or anything like that: if you want a JB, get a JB. What the Tyrant offers in comparison is something a little more specifically dialled in for metal styles, and something which will get Amott fans a little closer to the monster tones on Khaos Legions.
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